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Publications

“Democracy,” in Sztuka I Dokumentacja, Krakow, Poland, forthcoming. “Alan Belcher: JPEG,” In PDF, ed. David Tomas, Université de Montréal, Autumn 2016.
Wall to Wall: Carpets by Artists, Cleveland and Cologne: Museum of Contemporary Art and Walther König, 2016.
“William Kentridge,” in Hyperallergic, September 2016. Carlo and Fabio Ingrassia, London: The Everyday Press, 2016.
European Glass Experience, (General Editor). Venice: Musei Civici di Venezia, 2015.
Not so Ephemeral. 30 years of invitation cards designed by artists, 2014.
“Nothing,” essay, in Arte Povera A-Z, Museum Cultuur Strombeek Gent, Belgium, 2014.
Emilio Prini: A Bibliography, Rome: GoldenRuler, 2013.
A Very Light Art, Milan: Kaleidoscope, 2013.
“Alison Knowles, Emilio Prini, and Art’s Logic,” in Mathematics and Art, Vienna: Springer Verlag, 2012.
Essay, in John C. Welchman, ed., Sculpture and the Vitrine, London: Henry Moore Institute and Lund Humphries, 2012.
Co-author, with Susan Hapgood, In Deed: Certificates of Authenticity in Art, Amsterdam and Middelburg: Roma Publications in co-production with SBKM/De Vleeshal, 2011.
27 Homemade Henningsen Lamps (+ 1 Average Lamp), Simon Starling, Paris: Three Star Books, 2011.
Essay, in Kaat Debo, Walter van Beirendonck, Antwerp: MoMU, 2011.
Mariella Simoni, Athens/Thessaloniki: Macedonian Museum of Contemporary Art, 2011.
Essay, in Ludovico Pratesi, Viaggio in Italia, Pistoia: Galleria Civica, 2011.
"On Language and the Public Art of Lothar Baumgarten", Afterall, London, 2009.
Essay, in Christa Maria Lerm Hayes, Beuysian Legacies in Ireland and Beyond: Art, Culture and Politics, Dublin: Goethe Institut Ireland and Lit Verlag, 2011.
editor, Alison Knowles/Rirkrit Tiravanija, Men and Women Commonly Dress Alike, Paris: Three Star Books, 2011.
co-publisher, Matt Mullican, 88 Maps, Paris: Three Star Books, 2010.
editor, Haim Steinbach, Object, Paris: Three Star Books, 2009.
Essay, in Insiders, Practices, Customs, Know-how, Bordeaux: CAPC, 2009.
Gabi Dziuba/Christian Phillip Mueller, Modena: Galleria Civica, 2009.
Essay, Luca Vitone, Rome: Nomas Foundation, 2009.
Tobias Rehberger, Holy Silence, Paris: Three Star Books, 2008.
Maurizio Cattelan, Cattelan, Paris: Three Star Books, 2008.
Essay, in Mimmo Jodice, Milan: Johan & Levi, 2008.
Author, Heimo Zobernig, Modena: Galleria Civica, 2008.
Essay/catalogue design, Twenty-Six Gasolina Stations, University of Catania, Carte d’Arte, 2008.
Essay, Selfridge’s, London: Robert Violette Editions, 2007.
Ken Lum, Ultimo Bagaglio, Paris: Three Star Books, 2008.
Heimo Zobernig, Fetish, Paris: Three Star Books, 2007.
Liam Gillick, M/M, Paris: Two Star Books, 2006.
Christian Philip Mueller, Carte D'Arte Internazionale, Messina: Carte D’Arte, 2005.
Camera Oscura, Frankfurt: Revolver, 2004.
Editor, Georgina Masson, Rome: American Academy in Rome, 2003.
Co-author, Katharina Sieverding, Milan: Charta, 2001.
Co-author, Goethe/Grcic: Quotidian Objects, Milan: Charta, 2000.
Co-author, Artist/Author: Contemporary Artists' Books, New York: Distributed Art Publishers and American Federation of Arts, 1998.
Author, Leo Castelli: Collected Interviews: New York, unpublished, 1998.
Editor, Walter Van Beirendonck, Mutilate, Ghent: Imschoot uitgevers, 1997.
Editor, Patrick Hoet, Satisfashion, Ghent: Imschoot uitgevers, 1997.
Editor, Jasper Morrison, A Book of Spoons, Ghent: Imschoot uitgevers, 1997.
Editor, Wim Delvoye, Angéle, Ghent: Imschoot uitgevers, 1997.
Editor, Glenn O’Brien, Soapbox, Ghent: Imschoot uitgevers, 1997.
Editor, Hirsch Perlman, Stills From a Complete Conversation, Ghent: Imschoot uitgevers, 1996.
Editor, Diana Thater, Electric Mind, Ghent: Imschoot uitgevers, 199
Editor Eran Schaerf, Folding Public Plans, Ghent: Imschoot uitgevers, 1996.
Editor, Sarah Seager, Excuse My Dust, Ghent: Imschoot uitgevers, 1994.
Editor, The Wealth of Nations, Ghent: Imschoot uitgevers, 1993.
Editor, Ken Lum, Speculations, Ghent: Imschoot uitgevers, 1993.
Editor/Author, with Susan Hapgood, FluxAttitudes, New York/Ghent: The New Museum and Imschoot, 1991.
Editor/Author, Natura Naturata (An Argument for Still Life), New York: Josh Baer Gallery, 1989.